INTO THE WOODS Music and Lyrics by STEPHEN SONDHEIM Book by JAMES LAPINE
Originally Directed on Broadway by James Lapine
Performance Details | Creative Team | Cast | Production Stills
PERFORMANCE DETAILS
SPRINGWOOD CIVIC CENTRE April 19, 20, 26, 27, May 3 & 4 at 8pm April 21, 27, 28 and May 4 at 2pm
CREATIVE TEAM
Direction by MARNIE ENGEL Musical Direction by DAVID KALMAN Production Design by JOSHUA MASON
CAST
The Witch Samantha O'Hare
The Baker Adam Majsay
The Baker's Wife Nicole Beaver
Red Riding Hood Jenni Wren
Narrator Mark Watson
Cinderella Keara Donohoe
Jack Robert Hall
Jack's Mother Cathie Simpson
Rapunzel Rosemary Cooper
Cinderella's Prince David Tucker
Rapunzel's Prince John Donohoe
Stepmother Kathleen Leary
Stepsisters Naomi Gardiner & Jaelithe Wedd
Cinderella's Mother Trish Donohoe
Cinderella's Father John Baltaks
Wolf Brett Jeffers & Tim Crew
Steward Ernie Panaioli
Granny Patricia Napolitano
Understudy Jack Bradley Carroll
Into the Woods blends various familiar fairy tales with an original story of a childless Baker and his Wife, who catalyze the action of the story by attempting to reverse a curse on their family in order to have a child.
In the first act, the characters set out to achieve their goal of living "Happily Ever After" through familiar routes - Cinderella goes to the Ball and captures the heart of Prince Charming, Jack climbs the Beanstalk and finds a land of Giants and Gold, Little Red Riding Hood survives her clash with the wolf at Grandma's house, and Rapunzel manages to escape her tower with the aid of a handsome prince who climbs her long hair. The Baker and his Wife move through their stories while pursuing their own goal - the witch who keeps Rapunzel (revealed to be the Baker's sister) has put the curse on his house, and agrees to lift it if the Baker and his Wife can find the ingredients to help her reverse a spell which her mother has laid on her, keeping her old and ugly. Those ingredients are: A Slipper As Pure As Gold, which the Baker's wife gets from Cinderella, A Cow As White As Milk, which the Baker buys from Jack in exchange for the fateful magic beans, A Cape As Red As Blood, which the Baker gets from Little Red Riding Hood in exchange for freeing her and Granny from the Wolf, and Hair As Yellow As Corn, which they get from Rapunzel. The ingredients are gathered, and the spell works, stripping the Witch of her power, but restoring her beauty. At the end of Act I, all characters seem poised to live "Happily Ever After".
Act Two, however, deals with the consequences that traditional fairy tales conveniently ignore. What does one do with a dead Giant in the back yard? Does marrying a Prince really lead to a happy and fulfilling life? Is carving up the wolf the solution? Is the Giant always wrong? In Act Two, all the characters must deal with what happens AFTER "Happily Ever After". As they face a genuine threat to their community, they realize that all actions have consequences, and their lives are inescapably interdependent, but also that that interdependence is their greatest strength.
- June Abernathy
Into the Woods starring Vanessa Williams is currently playing at Los Angeles' Ahmanson Theatre and moves to Broadway's Broadhurst Theatre on April 25.
Reviews following the production's opening night in California have been extremely positive. Variety said it has "aged like fine wine" and "is as accessible and robust as the original, but also far more balanced and mature. And it demonstrates that the show's complexity was genuine." The Los Angeles Times calls this production a "richly textured production" that "emerges from the thickets in triumph." The Los Angeles Daily News suggests that "'enchanting' isn't a strong enough word for what's on stage."
from sondheim.com
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Adam Majsay
Nicole Beaver
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| Original Broadway Production by Heidi Landesman, Rocco Landesman, Rick Steiner, M. Anthony Fisher, Frederic H. Mayerson, Jujamcyn Theatres Originally produced by the Old Globe Theatre, San Diego Ca. BY ARRANGEMENT WITH WARNER/CHAPPELL MUSIC EXCLUSIVE REPRESENTATIVE OF MUSIC THEATRE INTERNATIONAL
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